All Diego Velazquez Oil Paintings

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet
 

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Diego Velazquez Prince Felipe Prospero oil on canvas


Prince Felipe Prospero
Prince Felipe Prospero
Painting ID::  752
  1659 Art History Museum, Vienna
  1659 Art History Museum, Vienna

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Diego Velazquez Study for the Head of Apollo oil on canvas


Study for the Head of Apollo
Study for the Head of Apollo
Painting ID::  753
  1630
  1630

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Diego Velazquez Francisco Lezcano oil on canvas


Francisco Lezcano
Francisco Lezcano
Painting ID::  754
  1636-38 Museo del Prado, Madrid
  1636-38 Museo del Prado, Madrid

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Diego Velazquez The Needlewoman oil on canvas


The Needlewoman
The Needlewoman
Painting ID::  755
  1640 National Gallery of Art, Washington DC
  1640 National Gallery of Art, Washington DC

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Diego Velazquez El Primo (Diego de Aceda) oil on canvas


El Primo (Diego de Aceda)
El Primo (Diego de Aceda)
Painting ID::  756
  1644 Museo del Prado, Madrid
  1644 Museo del Prado, Madrid

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     Diego Velazquez
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork. Although he had no immediate followers, he was greatly admired by such later painters as Goya and Manet

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